ARTICLE
26 February 2016

Timberlake & Will.I.Am Sued By Disco Artist's Estate

B
BakerHostetler

Contributor

BakerHostetler logo
Recognized as one of the top firms for client service, BakerHostetler is a leading national law firm that helps clients around the world address their most complex and critical business and regulatory issues. With five core national practice groups — Business, Labor and Employment, Intellectual Property, Litigation, and Tax — the firm has more than 970 lawyers located in 14 offices coast to coast. BakerHostetler is widely regarded as having one of the country’s top 10 tax practices, a nationally recognized litigation practice, an award-winning data privacy practice and an industry-leading business practice. The firm is also recognized internationally for its groundbreaking work recovering more than $13 billion in the Madoff Recovery Initiative, representing the SIPA Trustee for the liquidation of Bernard L. Madoff Investment Securities LLC. Visit bakerlaw.com
In a new case that is sure to draw comparisons to the "Blurred Lines" lawsuit, Justin Timberlake and Will.I.Am have been hit with a copyright infringement lawsuit from the estate of a disco artist.
United States Media, Telecoms, IT, Entertainment
To print this article, all you need is to be registered or login on Mondaq.com.

In a new case that is sure to draw comparisons to the "Blurred Lines" lawsuit, Justin Timberlake and Will.I.Am have been hit with a copyright infringement lawsuit from the estate of a disco artist. The suit alleges that key portions of their pop hit "Damn Girl" were taken from the relatively obscure 1969 jazz song "A New Day Is Here at Last." The song "Damn Girl" appeared on Timberlake's 2006 album, "FutureSex/Lovesounds."

The complaint is being brought by the heirs of Perry Kibble, a musician who died in 1999. Kibble was best known as a member of the funk and disco band "A Taste of Honey," which won the 1978 Grammy Award for Best New Artist. Taste of Honey's hit "Boogie Oogie Oogie" reached No. 1 on the Billboard Hot 100 chart, sold 2 million copies, and, according to the complaint, "is one of the most recognizable songs from the disco era."

The complaint alleges that the introduction, rhythm, harmony, melody, and hook of "Damn Girl" were copied from Kibble's song "A New Day Is Here at Last," which was recorded by jazz artist J.C. Davis. The complaint goes on to allege that "a substantial part of the drum, conga drum, organ, bass guitar, electric guitar, and saxophone parts in 'Damn Girl' were all copied from 'A New Day Is Here At Last.'"

Interestingly, the complaint seeks injunctive relief, even though the Timberlake song is now over eight years old, making the heirs' delay in bringing suit an interesting area of inquiry. The suit is just starting, but given who the parties are, it is likely to continue to draw attention. Furthermore, like the "Blurred Lines" case, the heirs are suing on the composition (not the recording), and like the "Blurred Lines" case, the salient issues may turn on whether "Damn Girl" copies portions of the composition or the sound recording, which is alleged not to be owned by Kibble's heirs.

"A New Day Is Here at Last"

"Damn Girl"

The content of this article is intended to provide a general guide to the subject matter. Specialist advice should be sought about your specific circumstances.

See More Popular Content From

Mondaq uses cookies on this website. By using our website you agree to our use of cookies as set out in our Privacy Policy.

Learn More